Please use this identifier to cite or link to this item: http://kbvsasun.digitallibrary.co.in/handle/123456789/200
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dc.contributor.authorBaruah, Ratul Bujar-
dc.contributor.authorDebbarma, Samuel-
dc.date.accessioned2026-10-12T07:01:09Z-
dc.date.available2026-10-12T07:01:09Z-
dc.date.issued2024-
dc.identifier.issn2320-7175,vol.12 ,no.3-
dc.identifier.urihttp://kbvsasun.digitallibrary.co.in/handle/123456789/200-
dc.description.abstracthe Nätyašästra, attributed to the sage Bharata Muni, serves as a foundational text in the realm of Indian performing arts, encompassing the elements of dance, music, and drama. This paper examines the profound influence of the Nātyašāstra on classical Indian dance and music, highlighting its theoretical frameworks and practical applications.Central to the text is the concept of Rasa, which articulates the emotional experiences conveyed through performance,profoundly shaping the aesthetic sensibilities of dance forms like Bharatanatyam, Kathak, and Odissi. Additionally, the treatise's detailed exposition of Abhinaya-the art of acting-enriches both dance and music, guiding practitioners in the nuanced portrayal of emotions. The text also lays the groundwork for the systems of Raga and Tala, providing musicians with the tools to evoke specific moods and themes. By analyzing key concepts and relevant Sanskrit verses,this paper underscores the enduring legacy of the Nātyasāstra, illustrating its critical role in shaping the development and evolution of classical Indian performing arts. Through its integration oftheoretical insights and practical guidelines, the Nātyašāstra continues to inform and inspire contemporary interpretations of Indian dance and musc.Keywords: Nāțyašāstra, classical Indian dance, classical music, Rasa, Abhinaya, Raga, Tala.en_US
dc.language.isoenen_US
dc.subjectfaculty publicationsen_US
dc.subjectNatyasastraen_US
dc.titleInfluence of Natyasastra on Classical Indian Dance and Musicen_US
dc.typeArticleen_US
Appears in Collections:Faculty Publications



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